Charles II: Art & Power, Bird, Fryman, ClaytonOn 29 May , his 30th birthday, Charles II made his triumphant return to London, ending more than a decade of Republican rule following the execution of his father Charles I in He had been in exile for 14 years, returning only briefly between and in an unsuccessful attempt to retake the throne with support from Scottish royalists, who crowned him King of Scotland at Scone Abbey — the last in a long line of monarchs to be crowned in Scotland. In May , Parliament commanded that all persons holding goods formerly belonging to Charles I were to return them with immediate effect. Charles also set out to build a new collection for himself. But this generous act of diplomacy had little lasting effect, for within a few years England and Holland were at war. Lely was seen as the natural successor to Sir Anthony Van Dyck, the first holder of the post established by Charles I.
Charles ii: art and power review – crowning glories of a royal passion
Charles II: Art and Power review – crowning glories of a royal passion
C harles II , otherwise known as the Merry Monarch, was a gargantuan baby. At four months he already looked, his mother complained, like a one-year-old. His appearance was anything but English, the dramatic height and darkness most probably inherited from Danish and Italian grandmothers. At 6ft 2in, he was almost a foot taller than his father, and he increased it with towering high heels. The long, curling wig of dark hair, the black moustache, the heavy nose and sensuously curving lips, above all the great brown eyes, faintly saturnine; it is remarkable how precisely the paintings agree. It is a consolidated look, almost more than with any other British monarch, and is even there in a quick-fire sketch by the great miniaturist Samuel Cooper, made in chalk on brown paper as Charles listens to his friend and former tutor, the philosopher Thomas Hobbes. The wig is off, the hair prematurely grey — the king was only 30, but always looked older than his age.
Good fun and fascinating history. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? The Restoration of the English monarchy in led to a resurgence of the arts in England, and Charles II became a leading patron and collector throughout the mid- and late seventeenth century. Fine and decorative arts served not only as furnishings for the royal residences but also as a means of glorifying the restored monarchy and reinforcing the position of Charles II as the rightful king. It includes an exploration of the theme of power throughout the reigns of these monarchs, and looks at ritual and decorative uses of art and the development of a distinct "English Baroque.
Edited by Rufus Bird and Martin Clayton. Art: British Art. You may purchase this title at these fine bookstores. Outside the USA, see our international sales information. University of Chicago Press: E. About Contact News Giving to the Press.
C harles II had the face of a corrupt satyr. Every sin seems etched into the work as a grotesque wrinkle.
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