Degas and the Dancers | Vanity FairLook Inside. Nov 20, ISBN She is famous throughout the world, but how many know her name? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. She was fired after several years of intense labor; the director had had enough of her repeated absences. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.
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Degas and the Little Dancer (Anholt's Artists Books for Children Series)
I love this book because it gives readers a story behind the art. All of the younger students were Degas and the Little Dancer is about how Degas found the ballerina in all of his paintings. A young ballerina was a model for a dancing school and Degas was the artist one day, and ever since that day she has posed for Degas in all his paintings. Laurence Anholt spent his early childhood in Holland where he developed a passion for Art. Before he attended school for his passion, Anholt worked as a Hotel-Night-Receptionist, a Carpenter, a Schoolteacher and an Art Lecturer, among various other odd jobs. The first books the husband and wife team published were about a small pig called Truffles, in for their oldest daughter, Claire.
The book. A fascinating look at a seminal work of art. Williams, French Review. Skip to main content. Description Reviews. Although it caused immediate controversy when first exhibited in , it is now recognized as the sculptural masterpiece of Impressionism. This beautiful book is the first full-length study of the subject and offers entirely new perspectives on a work that is widely regarded as a key precursor of twentieth-century sculpture.
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Little Dancer Aged Fourteen, by Edgar Degas
Degas loved to deflate the image people had of him, but his words ring true, expressing his love for the grace of drawing and the charm of color. As a student Degas dreamed of drawing like Raphael and Michelangelo, and he later revived the French tradition of pastels that had flourished with the 18th-century master Chardin. Bathing nudes became a favorite subject, but he once compared his more contemporary studies to those of Rembrandt with mocking wit. At the ballet Degas found a world that excited both his taste for classical beauty and his eye for modern realism. As he became part of this world of pink and white, so full of tradition, he invented new techniques for drawing and painting it.
The sculpture is one-third life size and was originally sculpted in wax, a somewhat unusual choice of medium for the time. It is dressed in a real bodice , tutu and ballet slippers and has a wig of real hair. All but a hair ribbon and the tutu are covered in wax. The 28 bronze repetitions that appear in museums and galleries around the world today were cast after Degas' death. The tutus worn by the bronzes vary from museum to museum. The exact relationship between Marie van Goethem and Edgar Degas is a matter of debate.