Ballet and modern dance book

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ballet and modern dance book

Modern dance - Wikipedia

Modern dance is a broad genre of western concert or theatrical dance , primarily arising out of Germany and the United States in the late 19th and early 20th centuries. Modern dance is often considered to have emerged as a rejection of, or rebellion against, classical ballet. Socioeconomic and cultural factors also contributed to its development. In the late 19th century, dance artists such as Isadora Duncan , Maud Allan , and Loie Fuller were pioneering new forms and practices in what is now called aesthetic or free dance for performance. These dancers disregarded ballet's strict movement vocabulary, the particular, limited set of movements that were considered proper to ballet, and stopped wearing corsets and pointe shoes in the search for greater freedom of movement.
File Name: ballet and modern dance
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Published 08.01.2019

Beginner Contemporary Dance - @MissAuti

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Ballet and Modern Dance

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Published by Thames and Hudson From: Bespoke Books and Sundries London,. Seller Rating:. About this Item: Thames and Hudson, Soft cover. Condition: Good.


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JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. A generous selection of illustrations completes the picture, taking the reader from the palaces of the Medici to the lofts of Manhattan, from the dancing of Louis XIV to the experimental choreography of Twyla Tharp and Pina Bausch. He also charts developments across onstage technology, new media and reality television, encompassing motion-responsive lasers, YouTube and So You Think You Can Dance to portray a vibrant, technologically attuned and expressively evolving medium. Format: Paperback. Edition Type: Third edition. Size:

Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book.

Thank you! A history meant to be read with a highlighter in hand. The author, a dance critic for The New York Times, tosses a few tidbits to balletomanes, but gears his text to readers with little or no previous knowledge of dance. He avoids technical terms, carefully defining even ""arabesque"" and ""pointe work,"" and places each development in cultural context. At each chapter's end, he includes readings from contemporary articles, manuals and reviews.

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