Book vs. movie: The Great Gatsby | The JournalThe Great Gatsby is a novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional towns of West Egg and East Egg on prosperous Long Island in the summer of The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession with the beautiful former debutante Daisy Buchanan. Considered to be Fitzgerald's magnum opus , The Great Gatsby explores themes of decadence , idealism , resistance to change, social upheaval and excess, creating a portrait of the Roaring Twenties that has been described as a cautionary [a] tale regarding the American Dream. Fitzgerald—inspired by the parties he had attended while visiting Long Island's North Shore —began planning the novel in , desiring to produce, in his words, "something new —something extraordinary and beautiful and simple and intricately patterned. Fitzgerald was repeatedly ambivalent about the book's title and he considered a variety of alternatives, including titles that referred to the Roman character Trimalchio ; the title he was last documented to have desired was Under the Red, White, and Blue. First published by Scribner's in April , The Great Gatsby received mixed reviews and sold poorly.
Video SparkNotes: F. Scott Fitzgerald's The Great Gatsby summary
Gatsby vs. Gatsby: Comparing the 1974 Film and Baz Luhrmann’s Adaptation
Book Guides. If you've looked up The Great Gatsby movie, you've probably realized that there is more than one. So which of The Great Gatsby movies you should watch? Wondering if you can skip reading the book? We have a complete guide to each of the Great Gatsby movie adaptations, as well as some advice for writing about the movies!
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Having read the book before seeing the movie, I was correct in my expectation of a vast difference in storytelling, especially with the hype surrounding the costumes designed by Prada and award-winning set designer Catherine Martin. There may be many negative reviews circulating around online criticizing the way Luhrmann stays true to his own ambitious vision of The Great Gatsby. I found myself distracted by the dancing and singing acts that are supposed to form the backdrop to the scene, rather than the conversation between the main actors. As much as the visuals may be over the top, one redeeming factor of the film has to be that some of the background costumes designed by Prada. Luhrmann seems to be striving for too much in all his theatrics.