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Extremely Loud & Incredibly Close (2011) Trailer HD - Tom Hanks Movie
Terror Comes to Tiny Town
Just as the September 11 attack on the World Trade Center instantly epitomised the clash between Islamic fundamentalism and capitalist hubris, the writing of Jonathan Safran Foer has divided readers into vehemently opposed factions. One side has given him a rapturous reception: confetti-showers of praise, numerous prizes including the Guardian First Book award for Everything Is Illuminated, published when he was only 25 and, for this new novel, a fervent endorsement from Salman Rushdie "ambitious, pyrotechnic, riddling, and above all In the opposite camp, Foer's fiction triggers violently allergic reactions. Dissenters dismiss him as an adolescent chatterbox, all artifice and no substance, all cuteness and no grit. I would have preferred not to take sides.
If Jonathan Safran Foer ever tells his readers what he thinks and feels, he tells it slant. Half of his celebrated debut novel, Everything Is Illuminated , consisted of tiresome magic-realist yarns about a Ukrainian shtetl, written by a quasi-fictional Jonathan Safran Foer. It looks at September 11 through the eyes of Oskar Schell, a weird, precocious 9-year-old whose father died in the World Trade Center collapse. In a novel about the Holocaust, this kind of oblique, even playful, strategy worked, partly because the subject has already been so exhaustively and earnestly explored. But September 11, that spectacular monstrosity plopped into the middle of an ordinary Tuesday in downtown Manhattan, is another matter. This novel, like Everything Is Illuminated , is a braided story, with the main strand told by Oskar. The other strands come in the form of letters and diaries written by his paternal grandparents, middle-class Germans whose psyches were irrevocably maimed by the Allied firebombing of Dresden in
Jonathan Safran Foer has marked out for himself the territory of literary prodigy. His first novel, Everything Is Illuminated, conceived while an undergraduate, written in his early twenties, hailed as an original masterpiece, showered with cash, trailed implications.
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A heartbreaker' Spectator 'The most incredible fictional nine-year-old ever created It will have you biting back the tears' Glamour 'Pulsates with dazzling ideas' Times Literary Supplement 'It's a miracle The key belonged to his father, he's sure of that. But which of New York's million locks does it open? So begins a quest that takes Oskar - inventor, letter-writer and amateur detective - across New York's five boroughs and into the jumbled lives of friends, relatives and complete strangers. He gets heavy boots, he gives himself little bruises and he inches ever nearer to the heart of a family mystery that stretches back fifty years.
The book's narrator is a nine-year-old boy named Oskar Schell. In the story, Oskar discovers a key in a vase that belonged to his father, a year after he is killed in the September 11 attacks. The discovery inspires Oskar to search all around New York for information about the key and closure following his father's death. Oskar Schell is a nine-year-old boy whose father, Thomas Schell, died in the terrorist attacks on the World Trade Center on September 11, The novel begins after the tragedy, with Oskar narrating. Since his father's death, Oskar struggles with insomnia , panic attacks, and depression.
Houghton Mifflin Company. ITS title is "Extremely Loud and Incredibly Close," but it will also be known, inevitably, perhaps primarily, and surely intentionally, as that new Sept. Does a novel with such a high-concept visual kicker and sensational book-club conversation starter even need a title at all? Besides containing a wealth of other photographs and attention-grabbing graphic elements, Jonathan Safran Foer's second novel his first was "Everything Is Illuminated" positively teems with text -- most, but not all, of which takes the form of prose. There's a distinction, of course, and Foer is just the sort of brainy, playful young writer, his critical faculties honed by the academy and his multimedia sensibilities shaped by the Internet and heaven knows what else, for whom this arcane distinction is second nature and a perfect excuse for fun and games. To Foer and his peers who can't really be called experimental, since their signature high jinks, distortions and addenda first came to market many decades back and now represent a popular mode that's no more controversial than pre-ripped bluejeans , a novel is an object composed of pages tattooable with an infinite variety of nonsentence-like signs and signifiers.